This is why the pigment color used must be dark enough to achieve the darker values in your painting. The pigment is applied thinly in an additive and subtractive manner, to achieve a full range of values. In this article, I’d like to address a specific aspect of underpainting in greater detail: W hat color should the underpainting be?Ĭlassic underpainting is monochromatic - it’s made with only a single pigment color. I present the underpainting technique step-by-step in my book, Landscape Painting: Essential Concepts and Techniques for Plein Air and Studio Practice. Also called a block-in or wipe out, the underpainting develops the composition, placement, and value relationships at the outset. Here a warm golden undertone of raw sienna will harmonize with the many warm colors found in the scene.Īs any of my students will tell you, I am a great advocate of starting a painting with an underpainting. A traditional underpainting is monochromatic, made with a single pigment color that is chosen in response to the color of the scene.
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